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Your daily dose of Chicano poetry

"I write poems on walls that crumble and fall
I talk to shadows that sleep and go away crying.”

Luis Omar Salinas (1937–2008)

Ten Dry Summers Ago

September 30, 2008

You could’ve planted Bermuda grass,
your neighbor to the right says.
but no, you didn’t
…and yes it’s true
your life
never depended on it…

so now I have to landscape
this bare and godless ground
that keeps eroding
into flyaway dust
changing hands
as easily as identity

have to dance, pivoting
–as a Chicano would say–
“en un daimito”
watering this wasteland

have to keep it moist
until it grows
until there’s room enough
to hold
your god and mine

Angela de Hoyos

This poem is from  Woman, Woman (1985) published by Arte Público Press

Here’a an interview with de Hoyos at NeighborhoodLink.com

https://i0.wp.com/www.arte.uh.edu/db/imgs/covers/imgs/1996/june/1558851569_0_Big.jpg

A Nameless Man is Caught in a Drug Raid in Tijuana

September 25, 2008

Late night
in a Tijuana bingo hall
a nameless man is caught in a drug raid

Coincidentally
a drug ballad plays at the bar next door
as masked men shout expletives
searching for traffickers and the sort

Under a table
her hands in two fists
the woman with the winning card
curses the hour

No more abstractions
in front of the tube
the morning paper
world news
Not simply a cup of coffee

And safe in his guarded home
Calderón rolls over and farts
dreaming of smoking a cigarette
at a baptism

While the nameless man goes limp
in a corner of the room
swearing off shrimp tamales and any Sinaloan place
Cartel leaders come from here, he thinks

I’d rather eat at home
and have my wife in my arms at night
The only thing a dying man gets
is attention

A. Onofre

Victor Villaseñor’s Crazy Loco Love

September 22, 2008
Arte Publico Press

“Not since John Fante’s “Ask the Dust” have we been smacked in the face so vividly by a work that reveals the psychic (and aesthetic) consequences of growing up hated in California and America. This is the macabre flip side of the quaint mini-malls, beaches and scenic vistas of North County, beach-area communities that revel in their naturalistic excesses while masking their grotesque Hieronymus Bosch-like dimensions, reeling with obsessional anti-Mexican loathing.” ~The San Diego Union Tribune

Read Chapters 1 & 2

Visit Victor Villasenor HERE

Featured Blog: Sheryl Luna

September 19, 2008


Down in the desert where the rattlers bite and the cacti sweat
Nothing but sun– life’s but a border line drawn on a fading river,
Muddy thin river where bloated bodies are found, men and women
treading the current to a country where they’ll pick cotton for better fair.
And no, I wasn’t no politician, too double-negative anyhow.
I wrote long lines to nowhere where the barrio was all valley
and pecan groves, where the pickers wore their love like a crown.
Dead in the valley where coyotes roamed the sand, roamed the sands,
there was howling outside the city where the Tigua Indians wrote their lost lands.
Illegal fireworks and Mexican music on the fourth of July…

sherylluna.blogspot

Luna was born and raised in El Paso, Texas. Her collection of poetry Pity the Drowned Horses won the first Andres Montoya Poetry Prize at the University of Notre Dame. The judge was Robert Vasquez. The initial judge was Orlando Menes. The collection was profiled in “18 Debut Poets who Made their Mark in 2005” by Poets and Writers Magazine.

Frida and I

September 18, 2008

Frida came today,
I felt her close to me,
her thick braids and
her solitary stare,
following me,
reminding me that in blood
there is creation,
hope,
a new day
and that I like her
need to follow my destiny,
create,
dream,
love Esteban
as she did Diego,
curse the unborn son
like she did day after day.

Frida came today,
she sat next to me
and I cried on her shoulder.
I told her of my pain,
of my dried pen,
of the solitary rivers,
of knowing that I exist
without wanting to exist,
of that hatred of my own reflection
day after day,
of knowing how to die
piece by piece.
And Frida embraced me,
she painted a new picture for me
filled with herself,
of her feminine strength,
of her forgotten self portraits,
of that eternal love for Diego,
of knowing she existed,
that she exists
and that she will never abandon me to oblivion.

Frida came today.

Gloria L. Velásquez

This poem is from I Used to be a Superwoman Chicana, Arte Publico Press (1997)
Velasquez is also the author of the Roosevelt High series, and Xicana on the Run.