Your daily dose of Chicano poetry
"I write poems on walls that crumble and fall
I talk to shadows that sleep and go away crying.”
Luis Omar Salinas (1937–2008)
Read the complete article at Arizona Daily Star
“No writer can be the ‘Master of the Words’ without loving them!” — Mehmet Murat Ildan, Turkish playwright and novelist
My good friend of over five decades, Silviana (Silvia) Wood, recently passed away at age 85. Our friendship went back to our John Spring Junior High School days in the 1950s. But Silvia was more than my friend. She was Tucson’s and the Chicano/a community’s friend, our cultural ambassador.
Silvia’s contributions go beyond the writings discussed below. Silvia was a veteran of the Chicano Movement of the 1960s and 1970s that fundamentally changed the educational, political, cultural and social landscape of Tucson and Arizona. She was a member of several barrio-based theater groups. She taught drama (at Pima Community College and elsewhere). Silvia and her children and her siblings were intimately involved in the 1970 “El Rio for the People” movement in Tucson, which was a defining moment in the political evolution of Tucson’s Mexican American/Chicano community. We walked many a picket line together.
Silvia had a Master of Fine Arts (MFA) degree (the terminal degree in the arts), a national reputation (her work appears in anthologies and journals used in high-school and college classes throughout the country). She received awards from many groups, including the Arizona Commission on the Arts, the Ford and Rockefeller Foundations, the Community Foundation for Southern Arizona, and the University of California. She was a published author. Her many accomplishments never went to her head. Silvia never forgot where she came from — Barrio Anita’s fingerprints and DNA are all over her writings.
Per the criterion in the opening quote, Silvia was a Mistress of the Words. Silvia’s love affair with words gave us great poems, short stories, plays, and a memoir-novel in a delightful word potpourri in English, Barrio Spanish and a smattering of Yaqui….
Read the complete article at Arizona Daily Star
Silviana “Silvia” Wood — ¡Presente!

Submission Opportunity: The Aldama Brown Ink Award
TPR Artist Forum: Murals
Panel | 7pm
WHERE ![]()
TPR’s Irma & Emilio Nicolas Media Center
321 W Commerce, San Antonio, TX 78205
Source: TPR Artist Forum: Murals
OBEY – by Sarlos Cantana
OBEY
a poem for the cult of 47
MARRY AND REPRODUCE
NO INDEPENDENT THOUGHT
CONSUME
CONFORM
SUBMIT
STAY ASLEEP
NO THOUGHT
BUY
WATCH TV
NO IMAGINATION
STAY ON YOUR PHONE
DO NOT QUESTION AUTHORITY
SLEEP
WORK 8 HOURS
SLEEP 8 HOURS
PLAY 8 HOURS
NO DIVERSITY
HONOR APATHY
NO IDEAS
FOLLOW
SURRENDER
NO HISTORY
COOPERATE
DOUBT HUMANITY
KILL THE POOR
REWARD INDIFFERENT
MAKE AMERIKKKA GREAT AGAIN
OBEY
OBEY
OBEY
OBEY
OBEY
THIS IS YOUR GOD
47
- S/C
Sarlos Cantana. Writer. Publisher. Malcontent. Persona non grata y stranger in a strange land. Owner of BSP Books | #Chicano ✊🏽 Creator of the original #Brownlisted! ¡Y que! ~§/Ç~
Source: The original #Brownlisted. Subscribe.

The Anzaldúa Poetry Prize-extended to April 30, 2025 — FlowerSong Press & Juventud Press
The Anzaldúa Poetry Prize

Deadline: April 30, 2025
Award: First place is publication, $1,000 prize, 25 contributor copies, and royalties contract. Four finalists will be announced.
Reading Fee: $25
After a brief hiatus, the Anzaldúa Poetry Prize will debut in its new home with FlowerSong Press in 2025.
Source: The Anzaldúa Poetry Prize-extended to April 30, 2025 — FlowerSong Press & Juventud Press


