Mexican Ballads, Chicano Poems
July 17, 2008
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Mexican Ballads, Chicano Poems:
History and Influence in Mexican-American Social Poetry
by José E. Limón
UNIVERSITY OF CALIFORNIA PRESS
| INTRODUCTION |
| PART ONE POLITICS, POETICS, AND THE RESIDUAL PRECURSORS, 1848–1958 |
| I Borders, Bullets, and Ballads: The Social Making of a Master Poem |
| 2 Américo Paredes, Tradition, and the First Ephebe: A Poetic Meditation on the Epic Corrido |
| 3 With His Pistol in His Hand: The Essay as Strong Sociological Poem |
| PART TWO SOCIAL CONFLICT, EMERGENT POETRY, AND THE NEW EPHEBES |
| 4 Chicano Poetry and Politics: The Later Recognition of the Precursor |
| 5 My Old Man’s Ballad: José Montoya and the Power Beyond |
| 6 The Daemonizing Epic: Rodolfo “Corky” Gonzales and the Poetics of Chicano Rebellion |
| 7 Juan Gómez-Quiñones The Historian in the Poet and the Poetic Form of Androgyny |
| CONCLUSION |
| EPILOGUE |
| APPENDIX A HAROLD BLOOM: AN EXPOSITION AND LEFT CRITIQUE |
| APPENDIX B JUAN GÓMEZ-QUIÑONES, “CANTO AL TRABAJADOR” |
| APPENDIX C JUAN GÓMEZ-QUIÑONES, “THE BALLAD OF BILLY RIVERA” |
| Notes |
| REFERENCES |
| INDEX |
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